I find it interesting how Sade wrote the 120 Days of Sodom in such a methodical way. From the first page of the manuscript, he breaks the introduction to the 120 days into six sections. There, he describes all of the characters in the novel (which are honestly difficult to keep track of because there are so many), the regulations the libertines will abide by during the 120 days, and how they go about setting this whole operation into motion. The exposition of this novel is extremely long, which is one of the things I find most striking about its structure. Sade really wanted us to know these characters inside and out, possibly in order to fully understand the extent of the debauchery they engage in as well as the ruthlessness and cruelty of the four libertines, which greatly contrast that of the children and their daughters (minus Julie).
I also find it interesting how Sade wanted all the child victims to be of the elite French class, instead of being poor. I feel like this choice was very deliberate in that Sade wanted the audience to understand that the most extreme debauchery seeks the ruin of others, and someone that is already poor cannot fall any further than they already have. The opposite is the case for rich people of high social status.
There is also heavy anti-religious sentiment in this novel, of course stemming from the increasingly despicable acts committed by the four libertines throughout the course of the novel, but also because of the way Sade wrote the four libertine’s characters, particularly the bishop. They denounce God throughout the novel and even offer the most severe of punishments to Constance and Sophie for their practice of Christianity at the castle. The bishop in particular serves as an oxymoron himself as he is committing the worst of sins, does not seem to believe in God, and yet he is a well-respected religious figure.
One common thread I have noticed between the four texts we have read so far in this class is that they are all very extreme, and the extremeness has pointed towards an issue that people of authority do not want addressed. This, coupled with the paragraph below, leads me to believe that Sade was trying to say something political and grab people’s attention using the most extreme of content.
The structure of this novel also feels very repetitive in a way and gets increasingly worse in terms of the types of stories told by the four storytellers and activities committed by the libertines. The fact that the 120 days goes by so smoothly in such an uninterrupted way for the libertines (reflected by the structure of the novel), since they are in full control the entire time, potentially sheds light on the influence and power of people like the four libertines that allows them to get away with whatever they want. Based on the first few sentences of the introduction, it seems like Sade thought that the political climate of France at the time is what made it possible for people like the four libertines to get away with things similar to the deeds committed in the novel. This is to say that Sade was potentially trying to shed light on French society at the time, but this will be more explored when I am able to discuss the context of this novel in Thursday’s blog post. So, until next time.





